Thursday, December 31, 2020

Believing, and Stepping Out in Faith: A Look at 'The Polar Express.'

Hi, dear readers, Happy New Year (I, like I'm sure most of you, will be eager to kiss 2020 goodbye), and welcome back to another edition of the Nightcrawler Experience!
Even though Christmas Day has come and gone (Mine was great, and I hope all of yours' were, too), I feel I should post this second Christmas- related entry for this year. After all, A) The spirit of Christmas should stay with us year- round, and B) The holiday season can last even beyond Dec. 25th. After all, in the classic Christmas song "The Twelve Days of Christmas," Christmas Day was actually the first day (Day 12 was January 5th)! This entry's going to be a slightly shorter one than usual, but hopefully you'll get something good out of it.
So, to finish off this Christmas season AND 2020 in style, let's take a look at the yuletide gem 'The Polar Express.'



(Credit for this image goes to the user alexthegeneralarteaga on the Polar Express Wiki at https://polarexpress.fandom.com/wiki/The_Polar_Express_(film)?file=The-polar-express.jpg)

This 2004 film, based on the book by Chris Van Allsburg, was directed by Robert Zemeckis and Stars Tom Hanks in several different roles.

It starts with the main character, a young boy who is questioning the existence of Santa Claus, receiving a surprise visit on Christmas Eve from the Polar Express, an enormous train that takes kids to meet the real Santa Claus in the North Pole. The strict yet loving conductor (Voice of Tom Hanks) tells the boy about the train, and after a moment's hesitation, the boy boards it.
When he boards it, he sees it is filled with other kids whose faith in the existence of Santa is also wavering. He particularly gets to know three of them who each have their own reasons for doubting Santa's existence (None actually say the reason for their doubts, but you can kind of tell just from their personalities and observing how they act): A little girl who apparently has general uncertainty problems and difficulty really committing to decisions (Several times early in the movie, when she's about to make a decision, one of the other characters will say "Are you sure?", and she'll noticeably hesitate), a very intelligent though rather arrogant boy who likely has trouble reconciling the many things associated with Santa Claus that would be scientifically impossible, and a little boy named Billy- The only one of the kids on the Polar Express whose name is specifically mentioned- who's very poor and thus has not had a lot of good Christmases and thus has a lot of difficulty trusting anyone, including someone who tells him Santa is real (I guess to kind of address the issue of how Santa can exist when so many good kids who are poor don't get anything). Along the train journey, the kids (Especially the main boy and the girl) have several adventures and close calls, and learn a lot about each other. The main boy also meets a new character; A mysterious, slightly spooky hobo (Voice of Hanks again) who rides atop the train, talks to the boy a bit, and helps him through a couple tight spots.
The train finally arrives at the North Pole (Which is truly enormous in this version; Usually, Santa- themed movies portray the North Pole as being about the size of an amusement park or at most a small town, but here it's the size of a massive city), but before meeting Santa, the four key kids all wander off from the rest of the group to explore some more and find their presents, leading to more adventures through Santa's workshop/ factory and a genuinely touching moment when Billy the poor boy finds a gift addressed to him which is something he really wanted. They all ultimately reunite with the rest of their group just outside the workshop for a ceremony in which Santa will appear and give one of the children the very first gift of that Christmas before setting off on his flight
Even amidst all of this, the main boy apparently STILL has trouble believing in Santa, as shown by the fact that he is unable to really see Santa when the big guy first comes out (He's a good distance away, and a lot of elves are blocking his view), and is unable to hear the jingling of the beautiful sleigh bells attached to the reindeer. Finally, he closes his eyes and sincerely says "I believe"; Just then, he hears the jingling of one sleigh bell that had fallen off, and sees Santa up close and personal, both signs that his faith is truly restored. Santa (Voice of Hanks yet again) addresses each of the four key children personally, and selects one of them to receive the first gift. The children are then brought home, and the main boy on Christmas morning receives a gift which ensures that his faith in Santa Claus not only is restored, but will remain ironclad for the rest of his days.

'The Polar Express' does have some problems. One problem is that it's a bit too serious for a kids' film about Santa. It has a few funny moments (Usually concerning the duo of bumbling rednecks who are the Polar Express's engineers), but could have used a LOT more to help break some of the tension. Also, there's a scene in which a couple of the kids sing a song called 'When Christmas Comes Around.' It's a nice enough song, but a trifle unnecessary, as it doesn't really do much or advance the plot or anything. Lastly, the really smart boy has a VERY irritating voice (For those who are familiar with the old Cartoon Network TV series 'Dexter's Laboratory,' he's voiced by the same actor who voiced Dexter's obnoxious archrival Mandark on that show, Eddie Deezen, and he uses the exact same incredibly shrill, nasal voice here). Not only will that voice get on your nerves, but it also sticks out a lot and doesn't really fit a child character very well, which I guess makes it a good thing that he isn't used as much as the other three main kid characters.
        That being said, there is also a lot to like about 'The Polar Express.' The story is quite compelling, and as a Christian, I can definitely get behind the film's message of keeping faith even when it seems silly to keep believing. The 4 main kids' problems believing in Santa Claus can all be easily seen as mirroring problems some people in real life have with believing in God. However, their issues are all resolved by the climax, often even before meeting Santa (i.e. while exploring the factory and trying to get back to the group, the girl learns to be more decisive and more of a leader, and the poor boy Billy learns to have more trust in his new friends).
     The songs that are used in the movie are mostly very good. My favorite is 'Hot Chocolate,' performed early in the film. Let's just say that a song about kids on a train being served hot chocolate turns out to be a LOT more jazzy and energetic than it sounds.
   The animation is very interesting. Some people say it's creepy, but I disagree. The only times it's creepy are the scenes that are MEANT to be so (i.e. the first scene with the hobo, and a scene where they go through a railroad car filled with broken or abandoned toys in need of repair). It puts a lot of detail into everything, from the characters to the sets, and I think it looks great. A few years later, the same style was used to make a wonderful CGI version of 'A Christmas Carol' featuring the voice talents of Jim Carrey and Gary Oldman among others. Maybe I'll look at that one next Christmas.
   The characters are all a lot of fun. Tom Hanks does a very good job turning in three extremely different performances: The fussy yet kind conductor, the strange hobo (Who doesn't even sound like Hanks a lot of the time), and Santa himself (Strong yet friendly and warm- hearted) are all quite enjoyable to watch. The kids are also well- developed, as you see the changes in each of them as the story progresses. The boy Billy in particular is a kid who'll tug at every last heart- string you have, especially in the aforementioned scenes involving his discovering the present addressed to him. Without him saying it (Out of the four kids, he has the fewest lines), you can still tell that this child has already had a really hard life that makes it hard to believe in Santa or even reach out to people, so seeing HIS faith restored and rewarded is almost more enjoyable than seeing it happen for the main boy.



As you can probably guess, 'The Polar Express' definitely has some Biblical messages associated with it.

The first, as I said earlier, involves keeping faith even when it seems like we shouldn't. At one point, the conductor is relaying a time on a much earlier Christmas Eve run, when he nearly fell off the train, but was saved by someone or something catching him (Presumably the ghostly hobo, as just a few minutes earlier, he similarly saved the main boy from falling). The main boy asks the conductor if he saw the person who saved him, and the conductor responds, "Sometimes seeing is believing, and sometimes the most real things in the world are the things we CAN'T see." That is an incredibly true statement relating to faith. Consider the wind, for example. It can't be seen, but we know it's there. Its effects can be seen. In much the same way, while we can't see God on this side of eternity, we can see the effects of His presence on the world every day, if we know where and how to look. The conductor's quote can be seen as a paraphrase of Hebrews 11:1, which says "Now faith is the substance of things hoped for, the evidence of things not seen." It also calls to mind 2 Corinthians 5:7, which says "For we walk by faith, not by sight." True faith is trusting in God even when you face doubts. It may not always be clear that God is there, but He always is.

Another message, relating to the first, involves actually stepping out in faith. On my most recent viewing of the movie, a line that really stuck out for me was in the very end, when the main boy has returned home and is disembarking the train. The conductor (He really is a strong source of wisdom in this movie) tells him, "One thing about trains; It doesn't matter where they're going, what matters is deciding to get on." It calls to mind something that I once heard in a sermon relating to the story of Jesus, Peter, and walking on water in Matthew 14:22- 32: Even though Peter, after stepping onto the water with Jesus, doubted and began to sink, he at least had enough courage and faith to step out of the boat and try when none of the other disciples would. He stepped out in faith. Not just having faith, but ACTING ON IT, is what separates a good Christian from a great one.
So, there we have 'The Polar Express,' a modern Christmas classic and a great examination of faith.

That does it for this edition of the Nightcrawler Experience, and for 2020! I have a couple entries almost finished for the next month or two. Until then, here's wishing everyone a safe, healthy and happy New Year, and may God bless you all!

Sunday, December 20, 2020

Revival, Guiding Others to Good, and the Impact of a Selfless Act: A Faith- Based Look at 'Klaus.'

 Hi everyone, and welcome to another edition of the Nightcrawler Experience!
Here we have part one of what I intend to be a two- part Christmas edition for this blog (My faith- based look at an episode of 'Daria' I had planned will have to wait until later).
First up, for this entry, I'll be looking at a relatively new film, which just came out last year, yet is already developing quite a fanbase: The Netflix animated movie 'Klaus.'


                              (This image was uploaded by the user STHerbs97 at the Christmas Specials wiki at https://christmas-specials.fandom.com/wiki/Klaus_(2019)?file=KlausPoster2.jpeg)


This story primarily revolves not around Santa Claus, but rather, around Jesper Johansson (Voice of Jason Schwartzman). He’s the son of a wealthy Postmaster General and was forced by his father to try and follow in the family footsteps by attending postman training. He’s also a lazy, spoiled, selfish leech who deliberately fails at his postman training to get out of that career path and try and return to a life of cushy, indolent luxury, but his father won’t have any of that. He arranges to have Jesper made into a full postman, and gives him a hefty challenge: To relocate to an incredibly isolated town called Smeerensburg, located on a distant island, and be their official postman.

Once there, Jesper must arrange for at least 6,000 letters to be sent there in one year, or else he’ll be cut off and end up homeless.
Smeerensburg is a dramatic departure from the easy life he was accustomed to: It’s cold, wet, run- down, and that’s not counting what the people there are like. Almost everyone on this backwater island town belongs to one of two families: The Krums, or the Ellingboes. These two families have been waging an incredibly bloody feud with each other for centuries, with no sign of it ending anytime soon.

In a desperate attempt to find someone he can send letters to or from, Jesper meets Klaus (Voice of J.K. Simmons), a huge, mysterious, reclusive woodsman with a bunch of handmade toys in his house.
Through a rather complicated turn of events, Jesper’s first meeting Klaus prompts the latter of the two to give one of his handmade toys to a depressed little boy. This leads to the boy’s cousins deciding that if they send letters to Klaus asking for toys, he’ll bring them some. Jesper realizes he can use this to meet his “6,000 letters” goal, and encourages more and more kids to send letters and Klaus to then bring them toys (With Jesper being the one actually delivering them in secret) to keep up this cycle. When he learns some of the kids can’t write at all, let alone write letters, he convinces a fetching yet world- weary schoolteacher/ fishmonger named Alva (Voice of Rashida Jones) to teach them how. This, in turn, rekindles her love of teaching and she abandons her plans to move away and fully recommits herself to what she loves.

Learning that “Mr. Klaus” only gives presents to good children prompts the local tykes to start behaving themselves and doing good things around the town. As a result of that, people from the two feuding families even start being flat- out kind and neighborly to each other!
Not everyone is fond of this turn of events, however; The cantankerous heads of the two families cannot stand the idea of their families coexisting peacefully, and set out to do all they can to stop Jesper and Klaus from bringing any more toys, or any more peace and goodwill, to the people of Smeerensburg. It all leads up to secrets coming out, a REALLY intense Christmas Eve chase, and the birth of a legend.


I must say, I loved 'Klaus' from the moment I first saw it last year! I can see why it was nominated for an Oscar for Best Animated Feature, and why it swept the Annie Awards.
The animation is honestly gorgeous. The character designs are incredibly diverse, with some (i.e. Alva the teacher) looking quite realistic, while others (i.e. An enormous young woman known simply as "Pumpkin" who acts as kind of like the Ellingboe family's main enforcer/ muscle) look more cartoonish. Yet, they go together surprisingly well and you can picture these characters living together in the same world. The backgrounds (From Smeerensburg to the woods where Klaus lives to some of the more distant locales they visit) are beautifully detailed, as well.

Much like Rankin- Bass’s ‘Santa Claus is Comin’ to Town,’ which I looked at here a couple Christmases ago, ‘Klaus’ does a great job showing the origins of Santa’s various attributes, such as going down chimneys, giving naughty children coal, and many others. Seeing their explanation of how children first came to believe Santa rode a magic sleigh pulled by flying reindeer WILL have you burst out laughing!

Time for the character run- down. Jesper's very entertaining to watch, always funny between his snark and the various hangups and humiliations (Mostly rather well- deserved) he endures early in the film, yet he's also got some good serious moments in the last 20 minutes or so. He’ll remind you pretty heavily of Kuzco from ‘The Emperor’s New Groove,’ right down to a similar- sounding voice and a similar attitude. His change and redemption are so thorough that by the time the movie's credits roll, you'll be finding it hard to believe that the gentle, loving Jesper seen in the end of the film could ever have been the obnoxious, selfish man- child seen at the start of the film.

Klaus himself is a wonderful rendition of Santa before he became magical. He's quiet, usually very serious, a little scary at first, and of course possessing a kind, selfless heart deep down. The scene in which you learn of his tragic backstory and the reason why he had so many handmade toys in his house will have you on the brink of tears. J.K. Simmons has long proven to be a quite talented voice actor for animated projects (Examples: His work as Mayor Lionheart in 'Zootopia,' Kai in 'Kung Fu Panda 3,' and Ford on the TV show 'Gravity Falls'; I've GOT to talk a little about that show on this blog some time), and this is another brilliant performance from him in that regard.
The teacher Alva is pulled off incredibly well. In a lesser film, she would have been little more than a love interest for Jesper. Instead, the filmmakers clearly put her character development first, helping us see that she starts out cynical and world- weary, yet her work teaching the kids of Smeerensburg to write so they can write letters to Klaus helps her regain her love for teaching and become a whole new person. She ends up eager to teach the kids not just how to write, but a number of other subjects as well. While she and Jesper DO end up falling for each other, it's downplayed a lot, with us seeing just enough of it to know it's happening, which was a brilliant way to handle it.
A couple other supporting characters who stand out well are Mogens (Voice of Norm MacDonald), a crusty ferryboat captain always ready with a sarcastic comment that'll keep you laughing throughout the movie, and an adorable little girl named Margu whose Sami tribe ends up helping the heroes a lot as time goes on.
The heads of the two feuding families make for pretty effective villains, especially the Krum family's vicious matriarch (Wonderfully voiced by Joan Cusack). Just the fact that they would seek to strip their families of all their newfound happiness and contentment purely for the sake of keeping such an ugly feud alive makes them easy to hate. My only regret as far as they're concerned is we don't get to see the looks on their faces on Christmas morning when they realize they've been outsmarted and outdone by the heroes.


All in all, 'Klaus' is a wonderful film in every way, one that I truly believe will one day join the ranks of the classic Christmas movies. I VERY strongly advise you to watch it for yourselves (Though you might need some tissues handy for certain scenes).

Now, for the Scriptural meat of the matter, and in this case, there's plenty of it: 
I'd say the most important theological lesson to take from 'Klaus' is on the importance of not just being kind and charitable to others, but encouraging them to then pay it forward and demonstrate similar fruits in their own lives. Upon learning of the change beginning to happen in Smeerensburg, Klaus says, “A true act of goodwill always sparks another.” Jesper learns this lesson fully enough that he repeats it in the climax when standing up to the family heads. As the film progresses, we see just how true those words are. Through the simple act of making and delivering toys, Klaus and Jesper help start a glorious ripple effect that ends up completely transforming Smeerensburg and bringing hundreds of years’ worth of hatred and spite to an end.

In fact, through the assorted heroes' actions, they help bring about all four of the Godly principles associated with the four Sundays of Advent: Hope (Klaus, Jesper and Alva all go from being bitter and pessimistic to gaining newfound hope for themselves and the town), Peace (The heroes' actions eventually bring an end to the Krum/ Ellingboe feud), Joy (The joy and happiness brought to Smeerensburg's children through the toys and eventually brought to the adults as well), and Love (The townspeople learn to "Love thy neighbor," Klaus in a manner of speaking gains the loving family he had always wanted, and Jesper and Alva ultimately find love with each other). It’s a perfect example of what we as Christians are called to do in the world around us. This all brings to mind 1 Timothy 6:18- 19, in which Paul advises Timothy to "Command them to do good, to be rich in good deeds, and to be generous and willing to share. In this way they will lay up treasure for themselves as a firm foundation for the coming age, so that they may take hold of the life that is truly life." We should live out our faith in how we treat others, but then also, rather than just leaving it at that, we should encourage them to do the same to others, and so on. That is how real change happens, it's how the church grew in its early days in spite of how heavily it was persecuted, and it's how we can have it continue to grow today even  with our current age's worldliness and apathy trying to stop it. We should ensure, as Klaus pointed out and as Jesper learned, that our acts of goodwill always spark others to happen.


A second theological message, similar to the first, involves how much a seemingly hopeless place and its people can all be marvelously transformed. At a Christmas outreach event at a kind of teen homeless shelter I was at yesterday, a worship service was held at one point, and one of the Scripture verses used was Isaiah 9:2, which says "The people walking in darkness have seen a great light; On those living in a land of deep darkness a light has dawned." It was used in its greater context to prophesy about the coming Messiah, Jesus. However, I'd say it can apply to the situation in the movie, as well. Smeerensburg was shown to be indeed a land of deep darkness before Jesper came, filled with people walking in the darkness of their hate, ignorance and hopelessness, but the kindness and goodwill they came to discover through Jesper and Klaus's actions very gradually helped them truly see the light and banish that darkness from their town forever. It went from a lawless, violent backwater to a lovely, homey place to live. It truly is similar to the effect that a real revival through Jesus can have on a group of people. People in the darkness of their own sin, even those who you might think are irredeemable, can find the light of Christ and be truly saved.


So, there we have 'Klaus,' a lovely film in every way that teaches equally lovely Biblical lessons on revival and encouragement to others. To close this out, here's a wonderful video I found of the movie's beautiful main song, Zara Larsson's "Invisible." 


(Credit for this video goes to the Youtuber "Multi-Fangirl," as well as obviously to those who own the rights to the movie and the song)

That's it for this edition of the Nightcrawler Experience. I'll hopefully have one more Christmas- related entry up soon, so stay tuned. Until then, take care, stay safe and healthy, and may God bless you all!